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Why Natural Light Isn’t Always Better

06/05/2025 Posted by Martin Bamford Ideas, Photography

You’ve probably heard it before—“Natural light is the best light.” And in many cases, that’s true.

Soft, natural light can be flattering, gentle, and bring a beautiful, organic quality to portraits.

But here’s the thing: natural light isn’t always better. In fact, relying on it alone can sometimes lead to more problems than you’d expect.

If you’ve ever ended up squinting into the sun, standing in patchy shade, or caught under a gloomy sky on the day of your shoot, you’ll know what I mean.

Let’s take a closer look at why natural light isn’t the perfect solution in every situation—and when a bit of controlled lighting can make all the difference.

Natural Light Can Be Unpredictable

One of the biggest challenges with natural light is that it’s constantly changing.

Even on a bright day, the light can shift from soft and golden to harsh and shadowy within minutes—especially in the UK, where weather can turn in seconds.

This means if you’re shooting outdoors or near a window, you’re often at the mercy of the elements.

A sudden cloud can flatten the light, while direct sun can cause strong shadows under the eyes, nose and chin. The result? Inconsistent lighting that’s hard to control—and even harder to edit later.

A professional photographer knows how to adapt, of course. But having additional lighting on hand—like reflectors, diffusers or softboxes—means we don’t have to hope for good light. We can create it.

Harsh Sunlight Isn’t Flattering

When people think of natural light, they often imagine golden hour—the warm, soft light just after sunrise or before sunset. And yes, that light can be magical. But what about midday? Or a bright, cloudless afternoon?

That’s when natural light can be its least flattering. Overhead sun creates strong shadows and squinting eyes. It can make skin look washed out or shiny. It’s especially tricky for headshots, where subtlety matters.

In these cases, using artificial lighting—or working in a shaded, controlled environment—allows for far more flattering results.

We can soften the shadows, even out the exposure, and highlight your features gently and intentionally.

Indoor Natural Light Has Its Limits

Many clients love the idea of a window-lit portrait. And with the right conditions, window light can be stunning.

But indoors, natural light has limitations. Not every space has large, well-placed windows. Light may be blocked by buildings, trees, or simply disappear on grey days (which, let’s face it, aren’t exactly rare in the Surrey Hills).

Relying on window light alone also restricts where you can stand, how you can pose, and even how long the shoot can go on. Artificial lighting gives us flexibility—to move around, to shoot at any time of day, and to achieve consistent results, even when natural light isn’t cooperating.

Natural Light Doesn’t Always Suit Your Brand

There’s also a question of style. Natural light tends to give a soft, lifestyle feel to images. That’s perfect for certain brands—coaches, creatives, wellness professionals. But it might not suit everyone.

If your brand calls for a polished, high-end look—or if you want your headshots to match a specific visual style—you may need more precise lighting control.

Artificial light lets us dial in that look, creating images that are crisp, clean and consistent across your marketing platforms.

The Best Light Is the One That Works for You

Here’s the real secret: the best photographers don’t just rely on one kind of light. They know how to use all kinds of light—natural, artificial, or a clever mix of both—to suit the situation and the person in front of the lens.

Sometimes natural light is perfect. Sometimes a softbox gives you the exact glow you need.

The point is, it’s not about sticking to one method. It’s about understanding what works best for the photo, for the mood, and for you.

If you’re planning a headshot or brand photography session and wondering about the best lighting approach, I’d be happy to help you figure it out.

I work with natural and studio lighting, depending on your style and setting, and always aim to make you look your best—whatever the weather’s doing.

Get in touch to book your session in Cranleigh or the Surrey Hills, and let’s create something beautiful, together.

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About Martin Bamford

Hi, I'm Martin, a portrait, event and brand photographer in Cranleigh, working with individuals and small businesses across the Surrey Hills. I've taken photos for more than 25 years, and became a full-time photographer following a successful career as a Chartered Financial Planner.

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